<var id="1j5rh"></var>
<cite id="1j5rh"></cite>
<var id="1j5rh"><strike id="1j5rh"></strike></var><var id="1j5rh"><strike id="1j5rh"><thead id="1j5rh"></thead></strike></var>
<var id="1j5rh"></var>
<cite id="1j5rh"><video id="1j5rh"></video></cite>
<var id="1j5rh"></var><cite id="1j5rh"></cite><var id="1j5rh"></var>
<var id="1j5rh"></var><cite id="1j5rh"><video id="1j5rh"><menuitem id="1j5rh"></menuitem></video></cite><var id="1j5rh"></var>
<var id="1j5rh"><strike id="1j5rh"><thead id="1j5rh"></thead></strike></var>
<var id="1j5rh"></var>
<var id="1j5rh"></var>

Oscars Nominate Films Audiences Have Actually Seen

When it came to recognizing this year’s achievements in filmmaking, the Academy Awards nominated movies the public has actually seen.

Five out of the nine best picture contenders have already surpassed $100 million at the global box office: “Joker,” “Once Upon a Time in Hollywood,” “Ford v Ferrari,” “Little Women” and “Parasite.” A sixth, Sam Mendes’ war drama “1917,” just opened nationwide, but is expected to eventually hit that milestone.

The crop of movies have earned a combined $748 million in the U.S. and $1.98 billion globally, according to Comscore, one of the best showings for Oscar best picture nominees in recent history. Contenders last year had earned $1.26 billion at the domestic box office when nominations were unveiled in late January, thanks mostly to “Black Panther’s” massive $700 million haul. Box office receipts from 2020’s nominees, sans Netflix releases “The Irishman” and “Marriage Story,” were more evenly distributed.

In years prior, the Oscars had started to look strikingly similar to the Independent Spirit Awards. To compare, 2017’s nominees (including “The Shape of Water,” “Get Out” and “Call Me by Your Name”) grossed $380 million combined before nominations, while 2016’s films (such as “La La Land,” “Moonlight” and “Manchester by the Sea”) collected $483 million cumulatively ahead of nominations.

Of course, triumphs at the box office do little to predict awards plaudits. Barry Jenkins’ “Moonlight” ($27 million domestic, $65 million global) and Kathryn Bigelow’s “The Hurt Locker” ($17 million domestic, $49 million global) were acclaimed films that went home with Hollywood’s highest honors, despite having among the lowest grosses for a best picture winner.

The Academy of Motion Picture Arts and Sciences, the voting body behind the Oscars, has recently made strides in recognizing populist fare, including 2019’s best picture winner “Green Book” ($85 million domestic, $321 million global), and nominees “Black Panther” ($700 million domestic, $1.3 billion global), “A Star Is Born” ($215 million domestic, $434 million global) and “Bohemian Rhapsody” ($216 million domestic, $903 million global).

Joker” is by far the biggest blockbuster in this year’s bunch, the rare best picture nominee to gross over $1 billion worldwide. Todd Phillips’ “Joker,” an R-rated origin story based on Batman’s eventual enemy, debuted in October and has been on home video since December. But after the film scored a leading 11 nominations on Monday, Warner Bros. plans to bring “Joker” back to over 700 theaters this weekend.

1917” (10 nods in total), as well as “Little Women” and “Parasite” (each nabbing six nominations), are relatively early on in their box office runs. They should all expect to see a significant boost in ticket sales after finding themselves in the thick of the best picture race.

Other films, such as Taika Waititi’s “Jojo Rabbit” and Quentin Tarantino’s “Once Upon a Time in Hollywood” were mostly out of theaters by the time nominations were announced.

Almost all nominated movies will return to the big screen this weekend to cash in on awards love. Films expanding their theatrical footprint include “Parasite” (from 345 venues to 800), “Ford v Ferrari” (from 567 venues to 1,000) “Once Upon a Time in Hollywood” (from 54 to about 700) and “Jojo Rabbit” (from 125 venues to 945).

Those movies could also get renewed life as they enter their home entertainment window. On Tuesday, Fandango reported that “Parasite” ranks among its top five-most anticipated pre-selling digital releases in history.

Two best picture contenders — Martin Scorsese’s “The Irishman” and Noah Baumbach’s “Marriage Story” — are Netflix releases. The films had limited theatrical runs globally, but the streaming service refuses to report numbers so it’s impossible to know how many people actually watched those movies.

Recognizing commercially successful movies could prove beneficial when it comes to the telecast. The ceremony, which regularly clocks in at over three hours, has seen a consistent decline in ratings. The Academy attempted to introduce a “popular Oscar” category last year, in hopes that viewers would be more inclined to tune in to an awards show that spotlights movies they’ve watched. Even without that category — which was swiftly lambasted by the entertainment industry and scrapped before it made its way to ballots — it appears the organization made gains in accomplishing that goal.

“In theory, a more popular and thus more widely seen group of best picture nominees should spark a greater level of interest for the Oscar telecast,” said Paul Dergarabedian, a senior media analyst with Comscore. He noted that the Academy Awards telecast where “Titanic” won best picture scored some of the highest ratings. “However, there are many factors that determine how popular the telecast may be, including the combination of talent in the running.”

Below is a full list of box office grosses (as of Jan. 13) for 2020 Oscar best picture nominees:

“Ford v Ferrari”
Domestic box office: $111 million
Global box office: $211 million

“The Irishman”
Domestic box office: N/A
Global box office: $961,224

“Jojo Rabbit”
Domestic box office: $21.9 million
Global box office: $30 million

Domestic box office: $334 million
Global box office: $1.06 billion

“Little Women”
Domestic box office: $74 million
Global box office: $107 million

“Marriage Story”
Domestic box office: N/A
Global box office: $317,060

Domestic box office: $39 million
Global box office: $60 million

“Once Upon a Time in Hollywood”
Domestic box office: $141 million
Global box office: $372 million

Domestic box office: $25 million
Global box office: $132 million

More Film

  • Andy Serkis

    BAFTA to Honor Andy Serkis

    The British Academy of Film and Television Arts (BAFTA) is presenting Andy Serkis with its Outstanding British Contribution to Cinema Award at the 73rd EE British Academy Film Awards ceremony on Feb. 2 in London. The organization said Thursday that it was honoring the British actor, producer and director for his pioneering work on performance [...]

  • The Olympic Rings adorn an event

    Tokyo Olympics Brings Upheaval to Japan's Summer Events Schedule

    The Tokyo Olympics, to be held from July 24 to Aug. 9, and Paralympics, scheduled for Aug. 25 to Sept. 9, are affecting Japan’s big summer events. Everything from fireworks displays to music festivals have chosen to shift dates or even cancel altogether. The only film festival so far to announce a change in dates [...]

  • The Rescue

    Overseas Releases of Chinese Films to be Cancelled Following Virus Outbreak

    The overseas release of Chinese films in the next weeks is certain to be affected by the cancellation of theatrical outings in mainland China as a response to the rampant spread of the coronavirus. On Thursday, movie companies in China announced they would not go ahead with the release of seven major films at Chinese [...]

  • Boris JohnsonConservative Party rally on eve

    U.K. Parliament Passes Brexit Law, Leaving Film, TV Incentives Unaffected

    The U.K. Parliament on Wednesday evening passed legislation paving the way for the country to leave the European Union on Jan. 31, 2020. British Prime Minister Boris Johnson said the U.K. had “crossed the Brexit finish line” following passage of the Withdrawal Agreement, which will officially become law when it receives royal assent from Queen [...]

  • A security guard wears a mask

    Chinese New Year Film Releases Cancelled in Response to Coronavirus

    The deadly coronavirus outbreak has dealt a fatal blow to China’s biggest movie-going weekend of the year, as all new releases were cancelled to prevent further spread of the disease. Seven major films were expected to have been released over the coming weekend, with the likelihood that together they would have earned more than $1 [...]

  • The Turning

    Film Review: ‘The Turning’

    Director Floria Sigismondi’s “The Turning” is like the alt-rock cousin of author Henry James’ novella “The Turn of the Screw.” From its grunge-infused soundtrack and period setting to its fiery feminist overtones, this is an ambitious contemporary take on the iconic, claustrophobic thriller. Concerning two young orphans who psychologically torment their caretaker in a spooky, [...]

  • Birds of Prey

    ‘Birds of Prey’ Tops Studios’ TV Ad Spending

    In this week’s edition of the Variety Movie Commercial Tracker, powered by the always-on TV ad measurement and attribution company iSpot.tv, Warner Bros. claims the top spot in spending with “Birds of Prey.” Ads placed for the superhero film had an estimated media value of $6.94 million through Sunday for 431 national ad airings on [...]

More From Our Brands

Access exclusive content